Sotiria Bellou |
The Piperi Taverna group usually consists of several musicians and one female singer whose voice renders my husband, Nick, soppy with emotion and nostalgia (not an easy feat). The singer's voice, to him, is that of Sotiria Bellou which takes him back to his 1960s school days in Athens when apparently he was spending much time hanging out in tavernas listening to Rembetika and pining over its lyrics.
Likewise, the Piperi Taverna music awakens its patrons with songs that release inhibitions from even the most repressed among us. During the hottest summer nights of Parga, there are always impromptu additions to the music, by overenthusiastic patrons who might start drumming on the table or, in bursts of emotion, try to out-sing the singer in an ouzo-soaked shouting voice. While these shows of enthusiasm are extremely entertaining, I prefer the actual melodic voice of the singer, and I enjoy singing along quietly if I've figured out the lyrics, or if I haven't, just making up my own.
This brings me back to the Ouzo/Rembetika language lessons.