It's true: I'm a fibber.
Back in 1969, I lied my way through sixth grade English class, though I suspect Miss Kutz, my English teacher at that time, knew. But whenever I talked to her, she attended to my every word as though my ideas were of great importance, which is a rare gift for a child in a family of eight. The students in Miss Kutz's class were supposed to independently read a book every month and afterwards write a summary. My summaries were copied from my father's Encyclopedia of Book Summaries. I handed in well written synopsizes of books like, A Tale of Two Cities, Silas Marner, and Great Expectations . . . you get the picture.
Back in 1969, I lied my way through sixth grade English class, though I suspect Miss Kutz, my English teacher at that time, knew. But whenever I talked to her, she attended to my every word as though my ideas were of great importance, which is a rare gift for a child in a family of eight. The students in Miss Kutz's class were supposed to independently read a book every month and afterwards write a summary. My summaries were copied from my father's Encyclopedia of Book Summaries. I handed in well written synopsizes of books like, A Tale of Two Cities, Silas Marner, and Great Expectations . . . you get the picture.
But Miss Kutz never once called me out on it.
And then I decided to write my own book on loose leaf paper about a family. It was completely independent of any work I
needed to do for school. I showed it to Miss Kutz. She took it and actually
read it and wrote encouraging comments in it. I don't remember anything else about the rest
of middle school. Only that. But I hadn't thought about her or that
loose-leaf-book until these past few years.
Little snippets of time like that one stay
inside us—sometimes buried so deep they're unreachable. Over the two years that Your Own Kind was written, Miss Kutz slowly slipped back into my memory. I think she would be proud of this one.
Here is Chapter 1:
Everyone was asleep when the Turk’s son
came looking for Sarah that morning. With a thick willow branch tucked under
his arm, he walked on the edge of the dirt road with long angry strides. The
sun had just become a thin red line in the east and the bitter smell of wet
reeds was coming off the marsh near the lake as he rounded the corner and made
his way to the front of the Middleground Boarding House. Mrs. Middleground was
the first to hear the commotion, awakened by the thuds of the branch hitting
the windshield of the red car. As the shards of glass fell against the metal
hood, she raced to the window, her sluggishness momentarily forgotten. She’d
fallen asleep in the chair the night before. The magazine she’d been reading
had slid to the floor and lay with its spine open—the cover showing its beaten
state—torn and creased, last year’s edition of The World in Pictures:1974.
Ordinarily she wouldn’t have thought much about seeing the Turk’s son outside
her window, especially in the morning. That was the boy’s usual routine after
his newspaper deliveries. He always appeared on foot at the front of the
boarding house, meeting with Sarah to do whatever it was they did together. And
then they’d drive off in that blue Impala of hers. Well, in Mrs. Middleground’s
opinion—and she had many of them—he was much too young for Sarah. Three or four
years can be an enormous difference in age, especially at that time of life. She
peered through the lace curtains and shook her head. That boy couldn’t have
been more than thirteen or fourteen.
Mrs.
Middleground was a woman with many philosophical principles for life, though
they changed more often than her boarders. The fishermen were her steady
renters but the young people who were there to work during the summer season
would come and go like a stubborn rash. They all seemed to follow the same
foolish path—living an entire lifetime in that short three month period before
leaving East End with nothing to show for it. Or at least that’s how Mrs.
Middleground saw it, and she figured the reason the Turk’s son was hanging
around that year, was because he’d just gotten old enough to know there were
girls at her boarding house. But now as she held open the curtain in her
trailer window, watching him swing the branch at the red car with such venom,
she was caught between intrigue and genuine fear.
Sarah
was lying in bed, suspended between a dream and reality when the noise started.
She heard the shuffle of feet in the hallway and opened her eyes to see Alexandros
fighting to get his arms into a tee shirt. In an instant she was behind him,
following him out to the yard. She pushed her hair away from her face but it
fell back into her eyes as she came up next to him and saw his damaged red car.
“Kareem,
What are you doing?” she cried.
Sarah
was the only boarder who knew the Turk’s son by name. To the others, Kareem had
always been no more than a moving piece of the background, an early morning
paperboy who threw rolled up newspapers onto lawns while balancing on his
bicycle seat. It wasn’t until he’d started coming around the boarding house
that they’d heard Mrs. Middleground refer to him as The Turk’s Son. And there he was, on that unusually warm spring morning,
having fully emerged from the scenery with all the fire and rage of a real live
person.
Kareem’s
insults hit Sarah like a blow to the head and it took her a second to realize
that the crumpled paper he was thrusting into Alexandros’ hand was actually a
photo, her heart pounding into her ribs as Alexandros looked at it and then at
her—his expression impossible to read. By then, the sun was already sitting on
top of the boarding house, its heat pushing through the elm branches and
burning holes into her back. She wanted to grab the photo from Alexandros and
explain, but there were no words and then Kareem was gone, disappearing into
the brush around the lake and a police car was pulling up onto the dirt.
It
was all a mistake—a terrible misunderstanding, but how could she stop the
movement of a boulder falling from a cliff? She knew—though she tried to
convince herself otherwise—if she hadn’t stayed in East End, none of this would
be happening. Those were the thoughts that pushed her as she ran to the blue
Impala and got in, hoping to get to Kareem before the police. She at least owed
him that, and she made it half way to Main Street before the vibrations hit the
side of her car and a deafening blast slapped against her face through the open
window. Her body went ice cold, the chill starting at the base of her spine,
running up her back and stopping at the nape of her neck. She knew—without
knowing—it was over. Nothing would be the same after this.
She pulled to the side of the road when she saw the line of
police cars blocking the intersection, and she left the Impala to join a small
group of onlookers moving toward the ocean, toward the tower of black smoke
that was billowing above the dunes. As her pace quickened and she broke from
the group, a cop with a walkie-talkie grabbed her by the elbow, the static
buzzing from his hand and voices spitting commands out of the small gray
speaker. His thick fingers pushed
against her skin, but she’d already gotten as far as the IGA and there was
something lying in the street—something that made her want to yank her arm from
his grasp and run to it. But his grip was too tight.
“Move back. Crime scene.”
He ordered her back to an invisible line where others had
gathered.
“Move back. C’mon, move!”
The smoke was starting to
turn a light gray; a strong sea breeze smeared it across the cloudless sky,
shading the sun with an artificial twilight. Sarah listened to the hum of
conversation around her, not really hearing it until a hand on her shoulder
startled her.
"Sarah?"
It was Oscar. So much time had passed since the last time they'd seen one another, she almost didn't recognize him with his crew cut. But with Karen Marie there, standing beside him, Sarah knew who he was, and in a flood of relief, she folded herself against his chest and let the tears come. Karen Marie put her arms around them, so Sarah was in the center of the embrace and couldn't see the red car parked across the street with its front wheels sunk into the sand or Alexandros, who had been running toward her, suddenly stop. She simply closed her eyes, willing herself to be back in time, back in Owl's Head with her family, back in the general store. But the past is a closed door, though Sarah longed for it anyway, pressing her eye lids tightly together until she could see herself sitting on the stool behind the dated wooded counter beside the old brass resister. And she was home again.
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"Sarah?"
It was Oscar. So much time had passed since the last time they'd seen one another, she almost didn't recognize him with his crew cut. But with Karen Marie there, standing beside him, Sarah knew who he was, and in a flood of relief, she folded herself against his chest and let the tears come. Karen Marie put her arms around them, so Sarah was in the center of the embrace and couldn't see the red car parked across the street with its front wheels sunk into the sand or Alexandros, who had been running toward her, suddenly stop. She simply closed her eyes, willing herself to be back in time, back in Owl's Head with her family, back in the general store. But the past is a closed door, though Sarah longed for it anyway, pressing her eye lids tightly together until she could see herself sitting on the stool behind the dated wooded counter beside the old brass resister. And she was home again.
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